Matug Aborawi

Matug Aborawi was born in 1967 in Libya and studied at the Faculty of Arts in Tripoli, graduating in 1993. He then went on to do a Masters and is currently completing a PhD at the University of Granada in Spain at the Faculty of Fine Arts.

Aborawi's work is of a highly conceptual nature with the use of dramatic and exotic colours. His paintings always reveal unusual shapes, portraits of nameless people and animals, as well as other poetic content.

One of his recurring themes is that of travel to distant shores and the spiritual exodus, where people on boats depart and arrive in magical lands only to return in order to make sense of their existence.

The dark seas, the deep oceans and other physical terrains in his work effortlessly connect to the state of dreams, sleep and the unconscious expanse; where imagination, fantasy and myth combine to evoke deep emotion and aesthetic contemplation.

Aborawi's paintings have already been exhibited in many countries, including Libya, Tunisia, Belgium, Morocco, Spain Venezuela and Austria.

Art
Painter

46 Artworks on site

Matug Aborawi's Work

  • Faces
  • Shadows
  • Poetry
13 Artworks
0
Up & Coming
  • M
  • T
  • W
  • T
  • F
  • S
  • S
0
  • 11:00|17:00|exhibitions|The Melting Pots
  • 11:00|17:00|exhibitions|The Melting Pots
  • 11:00|17:00|exhibitions|The Melting Pots
  • 11:00|17:00|exhibitions|The Melting Pots
  • 11:00|17:00|exhibitions|The Melting Pots
  • 11:00|17:00|exhibitions|The Melting Pots
  • 11:00|17:00|exhibitions|The Melting Pots
  • 11:00|17:00|exhibitions|The Melting Pots
  • 11:00|17:00|exhibitions|The Melting Pots
  • 11:00|17:00|exhibitions|The Melting Pots
  • 11:00|17:00|exhibitions|The Melting Pots
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • ||exhibitions|A Libyan Lamma
  • 10:30|17:00|exhibitions|The Melting Pot
  • 10:30|17:00|exhibitions|The Melting Pot
  • 10:30|17:00|exhibitions|The Melting Pot
  • 10:30|17:00|exhibitions|The Melting Pot
  • 17:00|19:00|exhibitions|The Melting Pot
  • 17:00||exhibitions|The Forgotten Chatter
  • 17:00||exhibitions|The Forgotten Chatter
  • 17:00||exhibitions|The Forgotten Chatter
  • 17:00||exhibitions|The Forgotten Chatter
  • 17:00||exhibitions|The Forgotten Chatter
  • 17:00||exhibitions|The Forgotten Chatter
  • 17:00||exhibitions|The Forgotten Chatter
  • 17:00||exhibitions|The Forgotten Chatter
  • 17:00||exhibitions|The Forgotten Chatter
  • 17:00||exhibitions|The Forgotten Chatter
  • 11:00|17:00|exhibitions|The Libyan
  • 11:00|17:00|exhibitions|The Libyan
  • 11:00|17:00|exhibitions|The Libyan
  • 11:00|17:00|exhibitions|The Libyan
  • 11:00|17:00|exhibitions|The Libyan
  • 11:00|17:00|exhibitions|The Libyan
  • 18:00|20:00|exhibitions|The Libyan
Sign Up
Privacy Policy
Noon assures its users that full copy rights are protected. All the website content including photos, images, text, articles, can not be used without permission from Noon.

All correspondences to Noon will be checked and strong abusive language or imagery will not be permitted.

Noon's Newsletter assures that all email and contact information will not be divulged to anyone else but for the Newsletter.

Thank you

close
Use the bottom scrollbar to look around!